Guest Blog Swindon Festival of Literature – Bawdiness of the Bard

Stanley Wells, renowned Shakespeare expert graced the stage at the Arts Centre, Swindon on 7 May.

Promoting his new book Shakespeare, Sex and Love he took the audience through his view of the portrayal of sex in his plays. Something which he didn’t feel could be talked about in isolation of love.

Stanley Wells (photograph Ben Cavanna)

Stanley Wells (photograph Ben Cavanna)

His motivation for his latest study is in irritation with the ever popular view that Shakespeare’s work was a filthy enterprise.

Shakespeare certainly developed early, with his wife pregnant when they walked down the aisle, and he was one of the youngest to wed in Stratford for a 60 year period. However, Wells argues against other critics that search for sexual undertones at every sentence and denies that the bard was as bawdy as they make out.

After giving a talk about his book and the themes explored, he took questions from the audience answering questions about his works and Shakespeare in general, including revealing his favourite play to watch, and his favourite play as a piece of work.

An interesting talk, Wells showed that he is still sharp and strong at 80, with a love for Shakespeare that is demonstrated in his intelligent words on the subject. Sitting there listening, one could easily imagine to be in a lecture hall with no-one’s knowledge greater than the speaker’s.

By Jennifer Ockwell, Swindon Festival of Literature
Find out more about the Swindon Literature of Festival here:

http://www.swindonfestivalofliterature.co.uk/

http://twitter.com/literaturejenn

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Guest Blog Swindon Festival of Literature – Tariq Goddard on Horror

“I don’t like the horror genre much” – one of Tariq’s opening statements at the West Swindon Library Swindon Festival of Literature event on 5 May. For an author whose latest book falls under this category, this seems quite a strange comment to make.

Claiming to be a book that combines literary fiction with the horror genre, Tariq Goddard is setting out to break down boundaries, and doesn’t care if he has fewer fans than the more traditional horror writers, like Stephen King.

Swindon literature festival attendees experienced a couple of readings from his book, The Picture of Contented New Wealth, and explored his reasoning behind choosing the horror genre. They also discovered his strong stance in the publishing world, with a company called 0 Books which operates: “both as a general trade and specialist publisher, but have set out to be a different kind of house, organised around a co-operative relationship between publisher and author, and between authors, rather than an adversarial or competitive one.”

Set in the 1980s, his book explores the origins of true evil – thing even more horrifying than fiction created with monsters, exploring something that is more real and tangible.

In all, a good event, and I wouldn’t have swapped it for a larger audience as the intimate group allowed a feeling that you were even closer to the author, and closer to his ideals.

By Jennifer Ockwell, Swindon Festival of Literature

The Swindon Festival of Literature is taking place now (3rd to 15th May 2010). Find out more about the Swindon Literature of Festival here:

http://www.swindonfestivalofliterature.co.uk/

http://twitter.com/literaturejenn

lite...@yahoo.co.uk

Pulsar Poetry Evening on 4th March – Review by David Pike

In February this blog promoted the Pulsar Poetry Evening at The White Hart in Wroughton so we are really pleased that David Pike of Pulsar Poetry has provided the following Review of the evening and we would encourage anyone who enjoys writing and listening to poetry to join Pulsar at one of their events coming up in the near future…

The following is an abridged snapshot of the Pulsar Poetry Evening held at The White Hart, Wroughton, near Swindon on 4th March 2010. Note: a selection of poems read during the evening were videoed and posted to You Tube, with poets’ consent.  To view on-line visit the You Tube site and type the word PulsarPoet into the search box or simply visit the Photo Gallery of Pulsar Poetry Webzine and click on the links.  As usual I give the up-front apologies for notation errors and omissions. I started the evening rolling by playing a self-penned acoustic guitar instrumental, ‘Clear Water,’ then read a few of my poems. David Pike.

Teresa Davey read her prose poem, ‘The Titanic,’ which was inspired by Ciaran Carson’s book of memoirs, ‘Star Factory.’  The poem included, “. . . a Belfast built ship, sunk as midnight loomed on her maiden voyage on Sunday 14th April 1912, heading for America with its triple cache of humanity, her beauty and size blinded men who should know better, to the possibility of calamity . . .  in memory of 1513 souls . . . Belfast has created the Titanic Quarter. . .”

Martin Malone’s poem focussed on a local landmark.  The poem was titled ‘Barbury Castle,’ and verse included, “Meet me at the earthworks in the small hours on the hill, up there . . . here beyond Swindon’s dirty ochre, power up the hearts deep electric and bring me your darkness, let me move towards its live wire . . .”

I hadn’t seen Hilda Sheehan for a while; I didn’t recognise her and called her someone else’s name, oops!  Apologies Hilda.   Hilda’s poem ‘Worst Weather,’ included, “her husband was the weather, made mountains with his frozen front, his cold condition.  If she sang for summer he’d holler out hail, bring black betrayed clouds to cry relentless rain for days and days.  “That’s this country Connie,” he’d scream . . .”

It was good to see Katherine T. Owen again and hear her poems.  Her poem ‘It Takes a Receiver,’ included, “. . . if you live in the modern world then all around you and going through you are radio waves, TV waves, microwaves.  How do you know this?  Can you see them, taste them, hear them?  It is out of faith in some scientist somewhere who said it is so . . .” Also check out the Book Publication Information page of this web to view details of Katherine’s recently published books.

Peter Farr read an abridged version of his epic poem, ‘The Bismarck,’ which he’d been inspired to write after watching a Ludovic Kennedy documentary on the TV.   The poem relayed the brief encounter between HMS Hood and the Bismarck and the tragic eventual results for both ships and their crews; “battle stations . . . spray whipped . . . guns went out to the night and waited . . . we come to maximum range in seven minutes . . . your captain speaking . . . sighted . . . one battleship and one cruiser . . . range finders call out your markers . . . 40,000, 35,000, 25,000 shoot!  The sea shuddered . . .”

Chantelle Smith read her poem, ‘My Painted Mask,’ with great passion.  Chantelle said it was a personal poem and explained that experimenting with makeup was a way of exploring and expressing herself.  Verse included, “. . . in time gone past I painted my face to hide my soul, to bind it fast.  The mask meant truth gave, gave life to lies, tethered, imprisoned my fragile youth . . .”

Television, I tend to watch too much television.  Neil Brook’s poem, ‘TV Poem,’ just about sums it up, “. . . in the dreary routine the heavy diet of television screens where pictures, sounds and imagery weave their way into our thought space.  In this cold short stimuli we feed our eyes as the hours drift by . . . our brains pummelled into passivity . . .” It was good to see Neil’s partner Katie as well, we had a good chat.

Talis Kimberley brought new songs and poems to the fore. The song, ‘When I Was A Mermaid,’ was inspired by comments made by her daughter, lyrics included, “when I was a mermaid, my daughter my dear and a long time before I had you, I lived in the ocean a long way from here and sometimes my stories are true . . .” The song ‘Lowlands Pacific,’  tells of the perils of global warming and rising sea levels, “I need not walk to greet the shore, no place, no place for beast or man, the sea comes to greet me at my door, oh my poor drowned land . . .”

Cristina Newton’s poem, ‘Snow,’ painted a bleak winter picture, “. . . the weather that has followed us, the window facing north west and has found us still awake on this island of dank passages and cold mouths of mould . . . our souls stunned by the dark idle stains of snow . . .”

This was the second time that we’ve held a Pulsar Poetry Evening at this venue.  We were warmly received and the evening had a pleasingly informal atmosphere.  All-in-all a good evening with new, (new to Pulsar), and familiar poets in attendance. Note: As mentioned earlier, I later posted videos of poets performing to You Tube.  Visit the photo gallery page of the Pulsar Poetry web site and click on the links shown, to view videos. David Pike.

Here are the relevant contact details if you want to view those performances on YouTube or register to join Pulsar in the future.

Tel: 01793 875941
Email: puls...@btopenworld.com
Web: www.pulsarpoetry.com

Wootton Bassett Light Operatic Society seen wearing their pyjamas!

…and in public too, we’ll never be allowed in Tesco!

The Wootton Bassett Light Operatic Society (WBLOS) is pleased to be contributing to the Art Festival Blog spot. Whether you like to sing yourself and would like to join us or might like to come along to one of our productions we will be happy to pass on information about WBLOS from time to time.

So, back to the Pyjamas or should I say Pajamas (it’s an American show so it’s got a U.S. spelling). The 2010 WBLOS production is the “Pajama Game”. This is an entertaining story in which a new Superintendent of a pajama factory hooks up with the union supervisor.   With songs including “Once a year day” and “I’m not at all in love”, the show grabs you right from the start.

The Pajama Game will be on at the Wootton Bassett Memorial Hall from Wednesday 14th April until Saturday 17th April.  Tickets are available on 01793 840547, priced at £8.50/£6.50.

Full details can be found on the WBLOS website: www.wblos.org.uk

“Guest Blog, Pulsar Poetry” – Live Microphone Poetry Evening

Join the Pulsar Poetry group for an evening of Live performance poetry. Relax and enjoy the show or step up and read your own poems to an audience of like-minded poetry lovers. If you don’t write your own poems, but would enjoy reading your favourites to a keen group of onlookers, that’s great too. Other performers will include local (and not so local) published poets and will be covered / reviewed by Pulsar Poetry Webzine. It will also be filmed (with participant’s permission) and posted on YouTube.

The Wootton Bassett Arts Festival is keen to support this local arts event by promoting it to our community as we share the same interests and, very likely, the same audience.

If you would like to join Pulsar Poetry the evening will take place on Thursday 4th March from 8.00pm at the White Hart at Wroughton. The event will take place in the pub’s function room which is separate from the main bar area. There will be a small charge of £1.00 to cover costs.

To express interest contact David Pike on:

Tel: 01793 875941
Email: puls...@btopenworld.com
Web: www.pulsarpoetry.com

Syllabus

Download the WOOTTON BASSETT ARTS FESTIVAL SYLLABUS 2012 (covering both the June and November Festivals) HERE.