Creative Writing Results

Here is a list of the winners in the 2011 Creative Writing Competition. The Adjudication, to which all entrants were invited, was held on 12th November. It is well worth coming along to discuss your work with the Adjudicator, meet other writers and learn from their experiences.

Poetry 12 & under 15 years – Tensi Beautyman, 85

Poetry, 15 & under 19 – Julia Smith, 83

Sonnet, open to all ages – Alice Palmer-Ross, Commended

Short Story, 9 years & under – Liberty Shirnia, 76

Short Story, 10 & under 13 years – Niamh Taylor, 90

Short Story, 13 & under 15 years – Emma Bessent, 87

Short Story 19 & over – Tony Clark, 92

Report Writing, 11 & under – Orla Smith, 81

Journalism, 19 years & over – Jane Wade-Scarlet, 85

Festival Live – Saturday 12th November

Saturday 12th November at The Wootton Bassett Arts Festival will be a long day starting at 9.30am going all the way through to 7.30pm. There will be a HUGE variety of performances throughout the day in the following disciplines:

Drama

  • Devised Group Drama
  • Duologue Acting
  • Group Acting
  • Duologue Mime
  • Shakespeare Acting
  • Solo Acting
  • Verse Speaking
  • Memorised Prose
  • Sonnet
  • Prepared Bible Reading
  • Prepared Prose Reading
  • Television News Reading
  • Public Speaking

Creative Writing

  • Poetry
  • Sonnet
  • Short Story
  • Report Writing
  • Journalism

Classical Guitar

  • Solos by Grade
  • Duets by Grade
  • Ensemble
  • Duet accompanied by a teacher
  • Workshop

Full details are available in the Festival Programme which is on sale from Brian Taylor Music or at the Festival itself.

Adjudicator Biographies – November 12th & 13th Festival

We have appointed a number of Adjudicators to provide feedback and advice in the following disciplines this November: Speech and Drama, Art and Photography, Film, Creative Writing and Classical Guitar. Read all about their qualifications and experience here…

SPEECH AND DRAMA

PATRICIA HAMMOND LLAM PGCA. HON FLAM.,

Patricia Hammond has been a teacher of speech, drama and theatre studies since 1968 having established a theatre school with her late husband. She transferred ownership of the school to an ex-student several years ago.  Many of her students have worked professionally in theatre, television, film and radio appearing in numerous productions in Europe, London and the provinces including The National Theatre and the Royal Shakespeare Company. Seventeen ex-students have now opened their own schools of performing arts both in the UK and overseas.

She has been examining and adjudicating for very many years and has travelled frequently for the London Academy of Music and Dramatic Art (LAMDA).  Her work has taken her to all parts of the British Isles, Kenya, California, Singapore, Ireland, South Africa, Sri Lanka and Hong Kong.  She is an adjudicator member of the British and International Federation of Festivals.  Patricia has provided demonstration classes and Master Classes in Verse Speaking and Devised Performance a LAMDA McGowan Theatre and has co-written with Alison Muir a book entitled “Mime and Improvisation” published by LAMDA/Oberon Books and is currently writing another book.  She is actively involved in community arts and serves on a number of consultative panels relating to conservation, arts projects and animal welfare, serving also as a Drama Officer for Bromley Arts Council.  She is very much looking forward to her first visit to the Wootton Bassett Arts Festival 2011.

Tish Nicoll  LGSM,  Dip CE,  MSTSD,  FESB

Tish Nicoll is a Fellow of The English Speaking Board; a member of The Society of Teachers of Speech and Drama; a member of The British Voice Association, and a Member of the Panel of Speech and Drama Adjudicators of the British and International Federation of Festivals.

Born in Aberdeen, Scotland, Tish is a Licentiate of The Guildhall School of Music and Drama.  She has a wide range of experience in teaching all age groups in schools, colleges and the business world.  Tish now lives in Oxfordshire and works freelance. She is visiting lecturer in Vocal Communications in colleges in the UK and in Italy. She also examines for The English Speaking Board (International) Ltd. and was their Chief Examiner for seven years. She has travelled widely both in the UK and overseas lecturing, running workshops, examining and adjudicating and in 2007 was honoured to become Patron of “Oracy Australia Assoc.”

As well as “Voice Over” work for advertising, Tish has television experience as a performer and stage experience as a performer and a director. She is also a trained singer, specialising in recitals of poetry and song.

From an early age Tish took part in Festivals and well remembers how it feels to be a participant!  Now, herself a Festival organiser and adjudicator, she knows the importance of these events and welcomes the opportunities offered to performers of all ages, giving them a platform for their work and a chance to celebrate music, poetry and drama.

ART & PHOTOGRAPHY

Barrie Willerton

Barrie Willerton has spent a life-time in art and design education.  He was Head of Faculty; Design Technology and Art & Design, at Wootton Bassett School for 25 years.  He has been involved in the development and implementation of vocational education working for City & Guilds and examination boards, in establishing GNVQ courses in Art & Design at Foundation, Intermediate and Advanced levels.  He was also Principle Examiner for GNVQ Art & Design at all levels for AQA.  He is co-author (with Sylvia Willerton) of books for art courses in secondary education and for Business and Professional Practices in Art & Design.  As an artist, he works from studios at home, principally in print-making and has exhibited in Birmingham and locally.

Sylvia Willerton

Sylvia Willerton has a wide range of experience in the field of Art, Craft and Design as a practitioner, teacher and writer.  She was Chair of Examiners for VCE, GNVQ and GCSE applied art and design qualifications at AQA and Chief Examiner at CGLI.  She has extensive experience as a consultant, researcher and adviser with national and regional authorities and councils, including National Council for Vocational Qualifications; Schools Curriculum Assessment Authority; Qualifications and Curriculum Authority and Awarding Bodies.  She has been involved in the specifications, development and assessment of a wide range of art and design qualifications from National Curriculum to National Diplomas.  Her 24 years in teaching was spread across Secondary and Further and Higher Education. Publications have mainly focussed on assessment, professional practice and vocational assignments, while her work has been exhibited mainly in London and Birmingham. She studied fine art at St Martin’s, London; education at Leicester and has a doctorate from Sussex University.

FILM

Mark Kenna, BEng. (Hons) | AMPS

Mark started his career in 1989 with Rolls Royce, specialising in Electronics, Music Technology, Acoustics and Psychoacoustics at the University of York.  In 1997 Mark joined Dolby Laboratories and as Senior Consultant, provided technical and creative support to the international motion picture industry, helping many first time productions and independent filmmakers through post production, working on over 600 films in more than 100 film studios, cinemas and film laboratories worldwide.

Mark has worked with all the major studios including Disney and Warner Bros.; toured Scandinavia with Baz Luhrmann; provided support at the Cannes Film Festival; completed the first Dolby Digital mixes in the Czech Republic and Egypt; provided consultancy services for new studios in Thailand and Denmark and has completed work for George Lucas, Tim Burton and Ken Loach.

In September 2009, he started Dreambase Studios Limited, a sound post facility specialising in bespoke sound for independent films and digital media.  He continues to provide international sound consultancy services and produce high end media content.

Mark is a full member of AMPS (Association of Motion Picture Sound).

Alex Hudd, BSc | AMPS

After studying for a degree in Electronic Engineering, Alex worked for professional audio company Dolby Laboratories and spent eleven years as a Sound Consultant to the film industry, working on over 200 original film productions.  Alex has extensive experience in film sound post production all over the world, including motion picture film laboratory, digital cinema work and product development.

He continues to provide a variety of sound services for independent films and digital media from his company Dreambase Studios, based in Wootton Bassett, who also provide high quality video productions.  Alex’s picture editing was shortlisted for the BBC’s Digital Revolution short film competition in 2010.

He is writing several screenplays and developing his own music catalogue, and is a full member of AMPS (Association of Motion Picture Sound) and the PRS (Performing Rights Society).

CREATIVE WRITING

Phil Kirby

Phil began trying to write things around 1984, just after starting an English teaching career. In the late 80s he had couple of journalistic pieces published in a local newspaper. In the early 90s Phil started getting poems published in literary magazines/journals. His first poetry pamphlet of work that had appeared in magazines was published through his own Waldean Press in 1993. A second one in ’94 to coincide with the fact that he was awarded an East Midlands Arts Writer’s Bursary ‘94 and a place on their ‘New Voices’ reading tour. A third pamphlet was published through Shoestring Press, Nottingham, in 1997. He ran Waldean Press from 1993-98, publishing work by 8 other poets and receiving an East Midlands Arts subsidy for quality work. Also during this time he taught many adult writing classes, mostly through WEA. A short story was published by ‘nthposition’ on-line journal 2005. And his first full poetry collection: ‘Watermarks’, was published by Arrowhead Press, 2009. He has given subsequent readings in Cirencester and Islington. New poems continue to appear in magazines and he is expecting a group of poems to appear in the near future in an anthology being prepared by Brittle Star magazine. He has recently completed his first children’s/teenage novel and is hoping, eventually, to find a publisher for that, too.

CLASSICAL GUITAR

Mark Ashford ARAM, GRSM (Hons), Prof Cert (Hons), LRAM

Mark Ashford is an internationally renowned performer and teacher. He began his formal musical education as a scholarship student at Chetham’s School of Music, Manchester at the age of 12. He then won a scholarship to study at the Royal Academy of Music, London from where he graduated with first class honours. Mark then completed his studies with the eminent guitarist David Russell in Vigo, Spain.

He is a prize winner at many national and international competitions including the Guitar Foundation of America, Alessandria International Guitar Competition (Italy), Scandinavian International Guitar Competition, Julian Bream Prize, and BBC Radio 2 Young Musician. He has performed as a soloist at major venues including, Buckingham Palace, the Wigmore Hall, South Bank Centre, Queens Hall (Edinburgh) and St George’s (Bristol). In 2004 Mark was honoured to record Rodrigo’s ‘Concierto de Aranjuez’ with the Royal Philharmonic Orchestra under the baton of Nicholas Cleobury. This led to a successful concerto tour of many venues throughout the UK including Fairfied Halls (Croydon) and Bridgewater Hall, (Manchester). He was course director at the Bath International Guitar Festival for six years and is now head of guitar at the Birmingham Conservatoire of Music. He regularly gives masterclasses at the leading Conservatoires of Music and is an Associate of the Royal Academy of Music for his achievements in the music profession.

What’s on TODAY – Saturday 12th June

Today is SUPER SATURDAY!

It is the busiest day of the Festival with all four sections operating. Here’s the low down for what’s on in each area:

ART – the Exhibition opens at 9am on the Ground Floor of the Civic Centre. The Exhibition will end at 5.30pm and awards will be presented at 6.00pm. Collection of artwork will follow at 6.30pm. Please remember to bring your tickets so that we can be certain the correct artwork is paired with the correct artist!

CREATIVE WRITING – this is taking place in the Upper Room at the Memorial Hall. It runs between 12 noon and 1.30pm.

SPEECH AND DRAMA – performances start at 9.30am and run until approximately 5.00pm. Performances on show will include Verse Speaking, Duologue Acting, Solo Acting, Shakespeare Acting, Group Acting, TV News Reading, Solo Mime, Logical Grumbling, Prepared Reading, Memorised Prose, Duologue Mime, Bible Reading and Public Speaking.

MUSIC – continues in the Memorial Hall starting at 9.30am with Ensemble followed by Woodwind, Piano Duet, Family Groups, Piano Solos, Jazz, Strings and Brass. The last class of the day is Piano Solos which starts at 8.15pm.

REFRESHMENTS – will be on sale from 9am through to 4pm on the Ground Floor of the Civic Centre so pop by for your lunch or afternoon tea we will have filled rolls, tea, coffee, soft drinks, crisps, sweets, biscuits and HOME MADE CAKES.

Guest Blog Swindon Festival of Literature – Getting controversial with Daljit Nagra

“Push the boundaries, challenge yourself about difficult issues. Try not to be twee.” These were some of the first few words of advice and encouragement that poet, Daljit Nagra, gave to us during the writing workshop on the Swindon Festival of Literature’s finale. And what good advice. How many of us are guilty of only writing in our comfort zone; not willing to explore further through fear of what it would make us socially or politically?

The workshop began in earnest when about 20 writers – ranging from practising writers to a lady who confessed that she hadn’t written since her school days – sat down to a wholesome lunch. This was followed by tea, a slice of lemon cake and those all important introductions. With the workshop soon underway, Daljit explained that the theme of the afternoon was ‘controversial context’, and made us consider that within art there is also controversy, whether it is subtle or outright crude.

To help us engage, Daljit’s first exercise was for us to jot down what made us angry. And interestingly, being predominantly a prose writer, I found myself trying out poetry by the second exercise. The workshop was experimentary; we discussed pieces of poetry – some of which we found shocking, and there were interesting discussions to follow.

By the end of the day we each had to read out an extract – daunting, yes, but it was fascinating to hear some pretty impressive work which was already taking shape from some of the members of the group. And of course Daljit posed some more interesting questions, some of which I hope will make me think not only about what I’m writing, but how I’m writing it. And what, if at all, am I debating about in my work.

Julie Venis for the Swindon Festival of Literature

Find out more about the Swindon Literature of Festival here:

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Guest Blog Swindon Festival of Literature – Investigating MC Beaton

The Swindon Festival of Literature featured a creator of detectives on 11 May at the Central Library.

The author of the Agatha Raisin and Hamish Macbeth mystery series, as well as more than 100 historic romantic novels under various pseudonyms, charmed the audience instantly with her stories and amusing anecdotes.

Born and raised in Glasgow, and having lived in London, the United States of America, the Highlands of Scotland, and now sharing her time between the Cotswolds and Paris, the 74-year-old has travelled a fair bit, perhaps allowing her inspiration for her many novels to ever increase.

Her love of reading was clear, as she explained that she was a part of the reading generation, a great escape pre-TV.

She is clearly not the “moron of the family” as she was once described by her mother, creating characters that have touched the hearts of people worldwide. Moving from journalism into novels, she claims the transition was easy – “You just report what’s in your head”. Her first effort was a Regency novel, written after reading one and thinking that she could do better.

However she claims to have “no literary ambitions” and just wanted to plug a gap in the market at the time for something between Mills and Boon and the Booker Prize.

No one could fail to be drawn in by this warm, interesting woman, and I look forward to seeing if this is matched in The Agatha Raisin companion and Busy Body which will be released in October this year.

By Jennifer Ockwell, Swindon Festival of Literature

Find out more about the Swindon Literature of Festival here:

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Guest Blog – Swindon Festival of Literature – Rebecca Adams, a heart-wrenching affair

This inspiring author drew me in from the start, setting the scene for her latest book – Touching Distance. Beginning her Swindon Festival of Literature talk at the Swindon Arts Centre by explaining how her own experiences of traumatic childbirth had some influence on her, one could not fail to feel sympathy and interest as this lively woman stood up in front of us.

Rebecca Abrams

Rebecca Abrams

However she wasn’t one to reach in and grab you by the heartstrings just as an attention-grabbing device. Standing up in front of us she was not asking for sympathy; just sharing her passion for the main character Alexander Gordon and telling us how he: “reached out and grabbed me round the throat and wouldn’t let me go until I’d finished writing the book.”

Set in Aberdeen in the 1790s at the time of a great epidemic of ‘childbed fever’, it follows Gordan’s dedication to finding out more about it so it could be prevented.

Based on a true story, Abrams told of how she tried to make it as factual as possible – perhaps a reflection of her family of historians, scientists and the like. I have bought Touching distance since hearing her speak and can’t wait to find out more about Gordon who snared Abrams so easily with his story.

By Jennifer Ockwell, Swindon Festival of Literature

Find out more about the Swindon Literature of Festival here:

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Guest Blog Swindon Festival of Literature – Bow to the King of Terrors, William Hughes

The only professor in gothic studies, William Hughes had a lot to live up to when he gave a talk at the Highworth Library on Monday 10 May for the Swindon Festival of Literature. And he didn’t fail to please the 35-strong crowd.

It was clear from the start that this man knew what he was talking about, as he took the group through from the start of gothic fiction – The Castle of Otranto in 1765 to the more recent Alien trilogy and Resident Evil films.

William Hughes

William Hughes

To help the audience understand the genre better, William set the scene – explaining the reasons for gothic fiction’s rise in the 18th century while the world was very serious and sombre.

And it seems that the beginning of new centuries bring new outbursts with different themes as the world becomes fearful of the unknown and current events spark unease, at least beneath the surface, of the population. It was certainly an interesting event, and one that will make people read gothic-themed texts with a fresh viewpoint.

William is professor of gothic studies at Bath Spa University and has penned books such as Beyond Dracula: Bram Stoker’s Fiction and its Cultural Context and co-authored many others on the gothic genre and Dracula.

By Jennifer Ockwell, Swindon Festival of Literature

The Swindon Festival of Literature is taking place now (3rd to 15th May 2010). Find out more about the Swindon Literature of Festival here:

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Guest Blog Swindon Festival of Literature – Bawdiness of the Bard

Stanley Wells, renowned Shakespeare expert graced the stage at the Arts Centre, Swindon on 7 May.

Promoting his new book Shakespeare, Sex and Love he took the audience through his view of the portrayal of sex in his plays. Something which he didn’t feel could be talked about in isolation of love.

Stanley Wells (photograph Ben Cavanna)

Stanley Wells (photograph Ben Cavanna)

His motivation for his latest study is in irritation with the ever popular view that Shakespeare’s work was a filthy enterprise.

Shakespeare certainly developed early, with his wife pregnant when they walked down the aisle, and he was one of the youngest to wed in Stratford for a 60 year period. However, Wells argues against other critics that search for sexual undertones at every sentence and denies that the bard was as bawdy as they make out.

After giving a talk about his book and the themes explored, he took questions from the audience answering questions about his works and Shakespeare in general, including revealing his favourite play to watch, and his favourite play as a piece of work.

An interesting talk, Wells showed that he is still sharp and strong at 80, with a love for Shakespeare that is demonstrated in his intelligent words on the subject. Sitting there listening, one could easily imagine to be in a lecture hall with no-one’s knowledge greater than the speaker’s.

By Jennifer Ockwell, Swindon Festival of Literature
Find out more about the Swindon Literature of Festival here:

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Guest Blog Swindon Festival of Literature – Tariq Goddard on Horror

“I don’t like the horror genre much” – one of Tariq’s opening statements at the West Swindon Library Swindon Festival of Literature event on 5 May. For an author whose latest book falls under this category, this seems quite a strange comment to make.

Claiming to be a book that combines literary fiction with the horror genre, Tariq Goddard is setting out to break down boundaries, and doesn’t care if he has fewer fans than the more traditional horror writers, like Stephen King.

Swindon literature festival attendees experienced a couple of readings from his book, The Picture of Contented New Wealth, and explored his reasoning behind choosing the horror genre. They also discovered his strong stance in the publishing world, with a company called 0 Books which operates: “both as a general trade and specialist publisher, but have set out to be a different kind of house, organised around a co-operative relationship between publisher and author, and between authors, rather than an adversarial or competitive one.”

Set in the 1980s, his book explores the origins of true evil – thing even more horrifying than fiction created with monsters, exploring something that is more real and tangible.

In all, a good event, and I wouldn’t have swapped it for a larger audience as the intimate group allowed a feeling that you were even closer to the author, and closer to his ideals.

By Jennifer Ockwell, Swindon Festival of Literature

The Swindon Festival of Literature is taking place now (3rd to 15th May 2010). Find out more about the Swindon Literature of Festival here:

http://www.swindonfestivalofliterature.co.uk/

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Syllabus

Download the WOOTTON BASSETT ARTS FESTIVAL SYLLABUS 2012 (covering both the June and November Festivals) HERE.